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Dangdut is a genre of Indonesian popular music that is partly derived from Arabic, Indian, and Malay folk music. It developed in the 1970s among working class Muslim youth, but especially since the late 1990s has reached a broader following in Indonesia.







Culture

Most major cities, especially on Java, have one or more venues that have a dangdut show several times a week. The concerts of major dangdut stars are also broadcast on television. In 2003 singer Inul Daratista became the subject of much controversy and criticism from conservatives over her suggestive, erotic style of dancing during televised shows.

MyIndo.com reported in 2003 that Project Pop, an Indonesian Nu metal band, released a humorous tribute to dangdut titled Dangdut Is The Music Of My Country.

Because the popularity of the genre, some movies and TV show use Dangdut themes such as Rhoma Irama's movies and Rudy Soedjarwo's Mendadak Dangdut.

Performance artists

Leading dangdut artists include:

* Rhoma Irama (King of Dangdut / Most popular singer since 1970s)
* Elvy Sukaesih (Queen of Dangdut / Most popular singer since 1970s)
* Inul Daratista (Creator of Goyang Inul which sparked an anti-pornography controversy)
* Evie Tamala
* Mansyur S.
* A. Rafiq
* Dewi Yull
* Fahmy Shahab
* Meggy Z.
* Camelia Malik
* Dorce Gamalama

http://en.wikipedia.org/

Indie music scenes are localized, independent, music-oriented communities that exist in many countries, especially in the USA, the United Kingdom, Canada and Australia. These have existed for decades now, in one way or another, but it is now commonplace for a city or town to have a punk scene, a metal scene, or many other scenes based on other forms of art. Indie music scenes became important in the early 1980s, when the rest of the country caught up with punk rock music from New York and London. Scenes are important in keeping indie and punk rock fresh and inventive, because it allows people from a wide audience to hear new independent music and contribute their own talents to it. Obviously, depending on what town one is in, the feel of the scene (and therefore the music that comes out of it) may change significantly.

Arguably, the 1980s indie scene in Washington D.C. was pivotal in changing the outcome of punk and indie rock for decades to come. Bands like Minor Threat, Bad Brains, Fugazi, and Rites of Spring helped to shape the sound of underground music for years. Los Angeles was important around this time as well, producing bands like the Descendents, Bad Religion, X, The Circle Jerks, The Germs, and Black Flag.

Around the mid-1980s, as punk and New-Wave’s mainstream influence died down considerably, there rose a couple of other important movements. Minneapolis was very important around this time. Bands like Hüsker Dü, and The Replacements would influence many alternative bands after them by broadening the scope of punk and hardcore. People involved in these bands, such as Bob Mould and Paul Westerberg still contribute to the music scene today. During the late 1980s in the Bay Area of California, bands like Operation Ivy, Green Day, The Offspring, and later, Rancid would take form to give a new sound to punk rock. On the opposite end of the country, Frank Black, Kim Deal, and Kristin Hersh were forming bands like the Pixies, Throwing Muses, and eventually The Breeders. These bands would influence the next wave of alternative rock, which due to the massive mainstream success of grunge became divided into mainstream artists and a new wave of indie rock bands who rejected the mainstream in favor of the indie scene.

(Just in case you're curious.......the lessons to the cd pick up around page 48 and 49)
The acoustic guitar is the instrument of the people and Play Acoustic tells the people how to play it. This detailed and beautifully illustrated book explores the history of the acoustic guitar, from the jazz age to the folk revolutions of the early 1960s and late 1990s to the current rebirth of bluegrass and the singer-songwriter boom of the past decade. Skilled professional musicians and experienced tutors coach the reader through 11 styles, using exercises suitable to novice players new to each style and working up to full pieces and advanced techniques. Entire chapters are devoted to folk, rock and pop, blues, country, bluegrass, jazz, and more, with detailed guidance through both musical notation and tablature, diagrams, and explanatory text. An accompanying CD also offers listening examples of the most crucial of these exercises, to help players master each style.



By Chris "the most passionate music/film fan alive." (Philly suburbs, PA) - See all my reviews
This book is fantastic. The two CDs it comes with are great, too. Not all exercises are on the CDs... but there are a TON of exercises to work on. The author covers many, many styles.. classical, folk, "jangle", blues, rock, etc.. arpeggios, jangle sequences, fingerpicking, scale practice, chords, altered tunings..

You can't find a better book on acoustic guitar instruction. I LOVE the stuff put out by Backbeat Books... they're ALWAYS of the highest quality, and the most practical AND fun.... and here's yet another book that cites the Smiths as a reference with a certain style/sound. The Smiths (and especially Johnny Marr's work within the band)... that's great guitar, there.

Do yourself a favor and pick this up. The title's generic, I know... but when they say Play Acoustic, they mean it.

If you play piano, too... you can do no better than the Piano Handbook (same publisher, same spiral-bound book, same look and layout). A great find.

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